Then I took two TIFFs, one that I had exported from PL 5 encoded in Adobe RGB and the other made with the same file opened in PL 6, converted to DxO Wide Gamut, and then exported in ProPhoto RGB. ![]() Tulips test image, converted to sRGB, which messes with the colors Here is one of the files, as exported in sRGB (just to give you an idea of the image): Previously I found I could not get all the color in DxO PhotoLab 5 (which processes raw files in Adobe RGB working color space) that I got in Lightroom (which processes raw files in the "Melissa" variant of the ProPhoto RGB working color space). The test uses some photos of tulips I took as gamut test images. A quick test I ran supports the hypothesis that there are visible benefits from DxO's new "Wide Gamut" raw processing color working space, as compared with DxO's previous Adobe RGB raw processing color working space.*
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